To be fair, Peele is clearly riffing on some films he has seen before, including 'The Stepford Wives' and 'Rosemary's Baby,' although with a charged, racial twist. His film is essentially about that unsettling feeling when you know you don't belong somewhere; when you know you're unwanted or perhaps even wanted too much. Peele infuses the age-old genre foundation of knowing something is wrong behind the closed doors around you with a racial, satirical edge. What if going home to meet your girlfriend's white parents wasn't just uncomfortable but downright life-threatening?
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- In Universal Pictures' Get Out, a speculative thriller from Blumhouse (producers of The Visit, Insidious series and The Gift) and the mind of Jordan Peele, w.
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'Get Out' opens with a fantastic tone-setter. A young man (the great Keith Stanfield, in two other movies at this year's Sundance and fantastic on FX's 'Atlanta') is walking down a suburban street, joking with someone on the phone about how he always gets lost because all the streets sound the same. A car passes him, turns around, and slowly starts following him. It's an otherwise empty street, so the guy knows something is wrong. Suddenly, and perfectly staged in terms of Peele's direction, the intensity of the situation is amplified and we are thrust into a world in which the safe-looking suburbs are anything but.
Cut to our protagonists, Chris (Daniel Kaluuya) and his girlfriend Rose (Allison Williams of 'Girls'), preparing to go home to meet her parents. Rose hasn't told them he's black, which she blows off as no big deal, but he's wary. His TSA Agent buddy (a hysterical LilRel Howery) warns him against going too, but Chris is falling in love with Rose. He'll have to meet them eventually. And Rose swears her dad would have voted for Obama a third time if he could have.
From the minute that Chris and Rose arrive at her parents' house, something is unsettling. Sure, Dean (Bradley Whitford) and Missy (Catherine Keener) seem friendly enough, but almost too much so, like they're looking to impress Chris. More unnerving is the demeanor of a groundskeeper named Walter (Marcus Henderson) and a housekeeper named Georgina (Betty Gabriel), who almost appear to be like the pod people from 'Invasion of the Body Snatchers.' There's just something wrong. But, as we so often do in social or racial situations, Chris keeps trying to excuse their behavior—maybe Walter is jealous and maybe Georgina has an issue with Chris being with a white woman. The lurking presence of Rose's odd brother (Caleb Landry Jones), who often looks like he's auditioning for a remake of 'A Clockwork Orange,' doesn't help. Chris goes out to have a smoke one night, and, well, things start to get even stranger in ways I won't spoil—in fact, the preview gives away way too much. Pay or die movie youtube. Avoid it if you can.
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